Ncuti Gatwa as the Fifteenth Doctor
Credit - BBC/Doctor Who

15
MAY
2025

Is Doctor Who Heading For Another Cancellation?

Since its debut in 1963, Doctor Who has been a cornerstone of British culture, captivating audiences with adventures across time and space. Now, in its 15th season since the 2005 revival, the series faces renewed rumours of cancellation, reminiscent of its 1989 hiatus. As fans and viewers speculate, this article explores whether the show is truly at risk of fading into the abyss once again.

The 2022 announcement of Disney’s co-production deal with the BBC and Bad Wolf Productions, alongside Russell T. Davies’ return as showrunner, ignited hope for a Doctor Who renaissance, boosted by David Tennant and Catherine Tate’s return for the 2023 60th anniversary specials. Yet, the specials averaged just 5.5 million viewers per episode, based on 28-day data from the Broadcasters’ Audience Research Board (BARB), a sharp decline from Jodie Whittaker’s 8.6 million in 2018. Ncuti Gatwa’s first season as the Fifteenth Doctor continued this trend, averaging 4 million viewers—the lowest since 2014. Overnight ratings for the latest series’ episode Lucky Day hit a historic low of 1.50 million, down from episode two, Lux’s 1.58 million, losing 500,000 viewers since the season premiere.

Fans have commented on an “unrecognisable tone”, with Disney’s reported £10 million-per-episode budget creating an overly glossy aesthetic that contrasts with the cheap yet charming creativity of the 1960s, ’70s, and even 2000s, when modest budgets fuelled iconic monsters like the Daleks and Cybermen. Davies’ youth-focused approach has boosted younger viewership but alienated some older fans, with X users citing “woke storylines” as a divisive factor in the show’s low ratings and perceived poor storytelling.

These struggles echo the late 1980s, when Sylvester McCoy’s Seventh Doctor faced cancellation in 1989 with ratings around the 5 million mark. Today’s parallels are stark: Gatwa’s 4 million average nears McCoy’s lows, and rumours of his exit after two seasons—fuelled by Gatwa’s theatre commitments—coupled with Disney’s reported dissatisfaction with returns, raise fears of a 2026 production gap.

However, the cancellation narrative deserves scrutiny. Streaming on BBC iPlayer and Disney+ likely offsets the BBC’s low BARB ratings, capturing audiences unaccounted for in traditional metrics. The 1980s hiatus, while halting TV broadcasts until the 1996 TV movie, spawned a vibrant era of novels and fan-favourite audio stories from Big Finish Productions, sustaining the Doctor Who legacy. Still, with no confirmed 2026 production and questions surrounding Disney’s funding, Doctor Who faces intense pressure to recapture its universal appeal—or risk mirroring the premature end of the 1980s.

3
APR
2025

Why Has Adolescence Made Such a Huge Impact?

This week, Prime Minister Sir Keir Starmer announced a bold government initiative to bring the acclaimed Netflix series Adolescence into UK schools, aiming to shine a spotlight on the pressing issues of knife crime and the challenges facing young people today.

Adolescence is a gripping four-part drama that submerges viewers into the harrowing aftermath of 13-year-old Jamie Miller, who is arrested for murdering his classmate, Katie Leonard. Filmed in real-time with each episode unfolding in a single, unbroken shot, the plot follows Jamie’s arrest, the police investigation, his psychological evaluation, and the devastating ripple effects on his family over 13 months. The series peels back the layers of Jamie’s motives, revealing a toxic brew of rejection, cyberbullying, and exposure to incel culture, sparked by Katie’s taunts after he awkwardly tries to comfort her following a humiliating social media incident.

Following the announcement earlier this week, the decision to bring Adolescence into schools targets the linked issues of knife crime and youth vulnerability. In the year ending March 2024, kids aged 10-17 committed over 3,200 knife offences—down 6% from last year but up 20% from a decade ago, with this mostly being possession cases. Black and mixed-ethnicity youth are hit hardest, driven by poverty and gangs, themes the series tackles through a teen’s violent spiral. While also aiming to spark discussion among 10-24-year-olds, using Netflix’s Into Film+ partnership to highlight knives’ appeal and society’s role.

Adolescence is crucial for exposing the harsh realities of modern youth—social media’s cruelty and online echo chambers, like those fuelled by figures such as the Tate brothers, radicalising vulnerable teens. Co-created by Stephen Graham and Jack Thorne, its raw performances and technical skill underscore a stark message about masculinity and accountability. It reflects UK societal failures—neglected youth, rising knife crime, and unchecked online extremism—holding a mirror to how we’re letting the next generation down.

The push to screen Adolescence in schools carries a clear hope: to jolt students into reflecting on knife possession and its devastating consequences, ultimately driving down the stubbornly high rates of youth offences. More than that, it’s poised to spark debate—igniting classroom discussions that could ripple beyond school walls, challenging teens and society alike to confront these issues head-on.

Stephen Graham and Owen Cooper In Adolescence 
Credit - Netflix

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